This is a Real Life Review of the Voigtländer 50mm f3.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring a classic or vintage look but a modern lens design.
This is a Real Life Review of the Voigtländer 50mm f3.5 M-mount (VM) lens with the Leica M10. This is a unique lens featuring a classic or vintage look but a modern lens design.
The lens is rather uniquely constructed and vaguely looks like a Dalek from the BBC Dr. Who TV series. It’s approximately shaped like a triangular cone with the base attached to the camera body and the apex containing the lens front glass element.
Almost the entire body of the lens rotates along with the focusing ring, including the aperture control which is located towards the front.
The lens is extremely small and compact for a 50mm design and almost looks like a jewel rather than a working camera lens.
Due to the unique design, the maximum aperture of the lens is a rather small f3.5. Not much light gets in through the rather small front lens, and the filter diameter is only 27mm. Still, it is brighter and faster than some (most?) kit lenses at 50mm.
The lens is a statement piece that is bound to attract attention when a photographer shoots with it. I’ve had several people start a conversation with me and some wondered whether I was using a film camera.
Due to the relatively small aperture, the lens focuses quite easily. I was pleasantly surprised that the lens has minimal optical distortion and gives good detail (particularly if it is stopped down to f8 which I frequently do). Due to the small size, it balances well with the Leica M10 or any M-mount body.
The lens also comes with a small metal lens hood that is fairly unobtrusive and can be left attached for daily use (and perhaps even enhances the unique look of the lens). It also comes with a metal lens cap with the Voigtländer logo printed on it, which further enhances the retro look of the lens.
I really like this lens a lot even though it is more a fashion statement rather than a purely functional piece of photography equipment.
The camera and lens combo package is light and stylish and hence perfect for street photography. The unique look will make people want to talk and interact with the photographer. At the same time, it produces image quality that is a cut above a kit zoom lens. I do not recommend using the lens in low light situations, but I put it to the test and it is still usable in a church.
In this review, I tested the lens in a variety of situations, ranging from walks to general street and architecture photography. Each situation is a separate article that can be clicked below.
These pictures were taken around Sydney and showcases the amazing contrast and colour rendition of the lens.
Read articleThis is the second of a series of articles showcasing pictures taken on the Voigtländer Heliar 50mm/1:3.5. These pictures were taken at St. James and gives an overview of how the lens performs in low light.
Read articleThese pictures were taken at St. Mary's Cathedral and gives an overview of how the lens performs in low light.
Read articleThese pictures were taken at a walk around the Circular Quay and Rocks areas of Sydney.
Read articleThese pictures were taken around Surry Hills up Oxford and Riley streets and back down on Commonwealth Street.
Read articleThese pictures were taken at Broadway in two locations: the Blackfriars campus of the University of Technology Sydney (UTS) and the TAFE NSW Ultimo Campus.
Read article